Record Details



Enlarge cover image for Critical entertainments : music old and new / Charles Rosen Book

Critical entertainments : music old and new / Charles Rosen

Record details

  • Physical Description: 328 p
  • Publisher: Cambridge, MA : Harvard University Press, 2000

Content descriptions

Formatted Contents Note:
Performance and musicology / The aesthetics of stage fright -- The discipline of philology: oliver strunk -- The eighteenth century / Keyboard music of bach and handel -- The rediscovering of haydn -- Describing mozart -- Beaumarchais: inventor of morden opera - Radical, conventional mozart -- Beethoven's career -- Brahms/ Brahms: influence, plagiarism, and inspiration -- Brahms the subversive -- Brahms: classicism and the inspiration of Awkardness -- Musical studies: contrasting views / The benefits of authenticity -- Dictionaries: the old harvard -- Dictionaries: the new grove's -- The new musicology -- The crisis of the modern / Schoenberg: the possibilities of disquiet -- The performance of contemporary music: carter's double concerto -- The irrelevance of serious music
Subject:
Music > History and criticism

Available copies

  • 23 of 28 copies available at Example Consortium.

Holds

  • 1 current hold with 28 total copies.
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Accessibility Features

LDR 01343nam a2200181 a 4500
0019
003CONS
00520020209140320.0
008000523s2000 mau 000 eng d
050 0. ‡aML 60 R7848 2000
1001 . ‡aRosen, Charles, ‡d1927-
24510. ‡aCritical entertainments : ‡bmusic old and new / ‡cCharles Rosen
260 . ‡aCambridge, MA : ‡bHarvard University Press, ‡c2000
300 . ‡a328 p
505 . ‡aPerformance and musicology / The aesthetics of stage fright -- The discipline of philology: oliver strunk -- The eighteenth century / Keyboard music of bach and handel -- The rediscovering of haydn -- Describing mozart -- Beaumarchais: inventor of morden opera - Radical, conventional mozart -- Beethoven's career -- Brahms/ Brahms: influence, plagiarism, and inspiration -- Brahms the subversive -- Brahms: classicism and the inspiration of Awkardness -- Musical studies: contrasting views / The benefits of authenticity -- Dictionaries: the old harvard -- Dictionaries: the new grove's -- The new musicology -- The crisis of the modern / Schoenberg: the possibilities of disquiet -- The performance of contemporary music: carter's double concerto -- The irrelevance of serious music
650 0. ‡aMusic ‡xHistory and criticism
901 . ‡a9 ‡bAUTOGEN ‡c9 ‡tbiblio

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